ORAL EPICS OF KANNADA
The major oral folk epics (ಜನಪದ
ಮಹಾಕಾವ್ಯಗಳು)
of Kannada
are ‘Manteswamy Kavya’
and ‘Madeshvara Kavya’.
They are dealt with in separate entries. But there are a number of others that deserve
a special mention. This note gives a general introduction to this tradition and
provides some basic information about a few important texts.
These epics did
not have any place in Kannada literary studies almost till the eighth decade of
the twentieth century although they were recited and cherished in the relevant religious
communities and restricted geographical regions. Early research in folk literature
concentrated on lyrics, ballads and stories rather than these epics. Pioneering
efforts by scholars such as ji.Sham.Paramashivaiah and P.K.Rajashekhara were instrumental
in unearthing these epics after a dedicated pursuit of respective singers. Even
at this juncture the main stream literary criticism was hesitant to include them
in their ambit. However, a sea change has taken place in the last twenty years and
some of these epics are treated on par with the acclaimed classics of
Most of these
epics are built around the history and life patterns of a particular community.
These communities which were essentially unlettered have found their own modes of
preserving their culture and its historical antecedents. Some of them have used
mythological means to authenticate their world view and rituals. They provide abundant
raw material to study the divergent strands of the culture of Karnataka. This leads
to a replacement of the hegemonic and monolithic models by pluralistic realities.
Added to this, one is excited by the literary modes and tools adopted by these bards
to preserve and propagate their cultures. These works continue to evoke admiration
even after they are divorced from their religious and ritualistic context.
Folk epics are
always in a state of flux and adopt themselves to altered realities. This is because
of the freedom enjoyed by the singers. All they have at their disposal is a broad
outline of the story and a number of formulaic patterns that help in the structuring
of the texts. Consequently, every singer creates his own version of the text and
even this undergoes changes from performance to performance. Certain motifs and
modes bring together all these epics and a continuum is created. The oral epics
of Kannada are no exception. A list of the important oral epics of Karnataka is
furnished herewith.
Apart from the
religious epics, many others are folk versions of the literary epics such as Ramayana
and Mahabharata. Some other folk narratives are based on romantic stories and they
have their own modes of propagation.
A list of some
important oral epics of Kannada is provided here with.
References: 1. Male Madeshwara: A Kannada Oral Epic,
as Sung by Hebbani Madayya and His Troupe, By Hebbani Madayya, Ke. Kēśavan
Prasād, Si. En Rāmacandran, L.N. Bhat Published by Sahitya Akademi, 2001
2. ‘Strings
and Cymbals’, Selections from Kannada Oral Epics, Ed. by C.N.Ramachandran,
Links: 1.
Indian Folklore Epics: Kannada
2. Indian Folk Epics: Introduction